My review of WW1 drama Journey’s End is over at FilmINK and below.
The sheer horror of the first World War is captured in sobering detail in this quietly moving adaptation of a powerfully emotive play of the same name. First performed in 1928, just ten years after the end of the war, R.C. Sherriff’s drama brought the reality of the anxiety and claustrophobia of trench warfare to theatre-goers.
This film is the fourth cinematic outing for the story. Directed with intensity by Saul Dibb (The Duchess) and featuring a collection of memorable performances, Journey’s End is the story of a contingent of British soldiers in France waiting for a German attack.
The young and inexperienced officer Raleigh (Asa Butterfield) is keen to see the war for himself. He also wants to meet up with former school house-master and potential brother-in-law Captain Stanhope (Sam Claflin), a leader with rapidly diminishing coping skills and a perspective overwhelmed by anger and alcohol.
Raleigh is soon introduced to the other members of the group, including the wise and peacefully dejected former school teacher Osbourne (Paul Bettany) and the no-nonsense plain speaking Trotter (Stephen Graham). Some brief moments of gallows humour are also provided by the less than 3 hat culinary offerings from the trench cook Private Mason (Toby Jones).
While the jumping off point for the story is undoubtedly Raleigh’s swift education in the ways of the war, and the blood, mud and scent of death that accompany it, it is as the film moves on to the unbearable wait for the attack that it really comes into its own. The mental unravelling of Stanhope is agonising to watch. Claflin does an excellent job in creating this eminently believable character of a man as close as can be to absolute breaking point.
The injustices of how soldiers were contemptuously treated as little more than statistics by the ruling elite is also strongly focused on. While the soldiers dine on tinned fruit and tea with bits of onion in it, the generals are served formal dinners and fine wine. Food and drink becomes an obsession with the men, as the torturous wait goes on with little to alleviate it but more alcohol.
The timeless story of conflict and assessing the value of life and death is shown in all its power. Asking all sorts of questions of nationality and patriotism 100 years after the culmination of World War One, Journey’s End provides a stark retelling of the grim truth of that most senseless of conflicts.