My review of the fantastic Swedish film ‘Amateurs’ showing at the Scandinavian Film Festival across Australia is over at Filmink and below:
A standout in this year’s festival, the Swedish film Amateurs is a delightfully crafted drama embracing community spirit and small-town activism.
Gabriela Pichler’s second feature (after her 2012 film Eat, Sleep, Die) focuses on the fictional region of Lafors, as its townsfolk have a month to produce a film to herald a low-cost German supermarket chain opening a new shop in the area.
This great premise allows Pichler to explore the small town in detail, both through the town council’s approved PR film as well as films submitted by local high school kids. These range from a Tarantino style shoot out to a wistful emotional fragment of tormented verse captured shakily on camera.
Two of these high school students, Aida (Zahraa Aldoujaili) and Dana (Yara Aliadotter) both children of immigrant families, are the shining lights of this fantastically effective film, showing us the true Lafors experience, as opposed to the diluted and sanctioned version.
The film brilliantly uses the handheld process of the girls’ filming and interposes it with the ongoing film of their parents’ reactions to them getting into trouble by being too forthright in their interviewing techniques. While Dana’s well to do family are supportive of her creativity, Aida’s mother is fearful of losing her cleaning job because of the girl’s hijinx. Class differences and the threat of racial prejudice hangs in the air, and the further we go into the realities of the place, the more this comes out.
Aida’s mother’s view of the town and Sweden is caught on her daughter’s camera as she takes a brief break from cleaning the council offices. Her daughter asks her what the most Lafors thing is to her and she answers poignantly that it is ‘the air, the wind, the sound of the water’. It is just another remarkable moment in this compelling feature that has so many affecting scenes.
The councilman entrusted with the film’s production is Musse (a fantastic Fredrik Dahl, in his first screen performance), also the child of an immigrant. His mother is suffering from a form of dementia and has forgotten the Swedish she was once fluent in. As it was the language Musse’s family spoke at home, he never learned Tamil, the only language his mother can now speak. Their scenes together beautifully pinpoint the importance of communication, and how some things cannot be expressed with words.
Even when the film gets into the murky territory of local politics and identity, it succeeds in creating a show of how there are universal problems and universal solutions to all kinds of difficulties. From the economic hardships experienced by small towns everywhere as industries die and unravel, to the challenges faced by new arrivals to distant lands, Amateurs is a skillfully wrought depiction of a modern fable. It is a heart-warming and energetic show of humanity, taking in the power of art and film, culture and language, and more than anything else, friendship. It’s a film to treasure.
Off to Oslo for a few days tomorrow to catch the end of the Greenland Eyes International Film Festival… cannot wait!
And here’s a bit of Yuletide cheer to celebrate the run up to the midwinter celebrations. . .
Introducing the Greenland Eyes Film Festival is over at Flickering Myth…
The Greenland Eyes Film Festival is due to begin its travels at the end of the month!
Check out the link for a feast of Greenlandic filmic fare.
The online platform for everything Greenland Eyes 2014 related is now fully operational and ready to bring the best film content by and about this magical land to the world at large!