The beautiful Our Little Sister is reviewed over at Flickering Myth and below.
An intimate and warm story of sisterhood and familial ties, Our Little Sister explores the drama of sororal relationships in a graceful and sensitive style.
Adapted from the best selling graphic novel Umimachi Diary by Yoshida Akimi, this is a drama that plays with subtlety and intricacy, ultimately creating an uplifting and spirited mood. It does not shy away from pain and darkness, with troubled histories and parental break-ups creating a generational fall-out felt for years afterwards. Yet it remains a bright and hopeful document – an affectionate look at how family of all kinds can help each other through life.
Three young sisters, Chika (Kaho), Yoshi (Masam Nagasawa) and Sachi (Haruka Ayase) all live together in their grandmother’s beautiful old house. Chika is the youngest of the group and works in a sports shop and has a playful relationship with a boyfriend into sports and outdoor activity. Yoshi is a banker who shelters from the stresses of work with a busy social life and more than a passing affection for alcohol. Sachi is the oldest of the sisters who manages a hectic work schedule as a nurse at the hospital alongside an unhappy affair with a married doctor.
The three have been estranged from both parents for years and grudgingly decide to attend their father’s funeral on the news of his death. Just before they are all set for a quick departure, they get to know the 13 year old Suzu, who it transpires is their half-sister. On something of a whim, Sachi invites her to come and stay with them. A few days or weeks later – time is not exact in this dreamlike picture – Suzu arrives and the sisters form a close knit bond of humility, respect and care.
The quartet adapt remarkably well to the situation,with the group creating a powerful barrier against the pain of the past. Ayase’s portrayal of Sachi is key to getting this strength across; her expressions of respectful care communicate the commitment to love that she and the others have made.
Overall this is a moving film, providing a template of sincere and honest reflection that goes beyond mere words. It is telling that the source material is a manga book- the colour and vibrancy of the locations are captured by director Koreeda in stunning detail. There is a flowing of ideas and imagination that bring a sense of soulful enlightenment; from dejection and darkness, hope can rise up anew.